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Post by Deleted on Oct 10, 2019 14:36:46 GMT -5
Thanks Stubbs.
Finally a Conan comic I can look forward to.
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Post by Deleted on Oct 15, 2019 2:21:54 GMT -5
 SAVAGE SWORD OF CONAN #10ROY THOMAS (W) • ALAN DAVIS (A) Cover by MARCO CHECCHETTO Variant Cover by JOHN MCCREA Nearly 50 years after he first brought the Cimmerian to the pages of Marvel Comics, the incredible ROY THOMAS returns to script the SAVAGE SWORD OF CONAN! Teamed with the legendary ALAN DAVIS, get ready for an unforgettable chapter in the saga of Conan, as the barbarian leads a mysterious band of adventurers into the Himelian Mountains in search of a lost comrade. But Conan may get more than he bargained for as the startling truth behind the quest is uncovered! Set before Robert E. Howard’s “People of the Black Circle,” don’t miss the start of this ALL-NEW adventure fleshing out an important period in Conan’s history!
Plus: The next chapter in the all-new novella “THE SHADOW OF VENGEANCE”!
32 PGS Parental Advisory $3.99 Release Date: 16 October 2019 |
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Post by Deleted on Oct 16, 2019 13:34:09 GMT -5
All I can say is thank Crom Roy Thomas is back. We finally get to see the real Conan in this issue.
The inks and colours do not help the art of Alan Davis in this issue. Davis does a good enough job but I feel the characters seem a little stiff and awkward looking in some panels. Still this is the best Conan issue since the Cimmerian's return to Marvel.
...and the 10th part of the Shadow of Vengeance is an excellent read at the end of the comic. Great stuff Scott, can't wait for these stories to be collected by Perilous Worlds or even adapted by Marvel in a nice hardback Original Graphic Novel.
"CROM COUNT THE DEAD!"
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Post by Deleted on Oct 16, 2019 14:24:47 GMT -5
A couple of reviews: comicbook.com/comics/2019/10/16/new-comic-reviews-dc-marvel-image/#4SAVAGE SWORD OF CONAN #10 Being Conan means that, moments after besting a rival in hand-to-hand combat, accepting a gig leading a woman into the mountains in search of treasure. Also being Conan means things aren't always as they seem, with the Barbarian revealing his real motivations for accepting the gig, which is only the beginning of his troubles. Coming off of the previous arc of the book, which was overly convoluted, this new chapter in the Barbarian's story delivers battles, double-crosses, and fantastical dialogue, which is just about everything you want from such a book. Additionally, the narrative sets itself up to actually sustain our interest in the coming chapters, finding the right blend between action and narrative momentum. -- Patrick Cavanaugh Rating: 4 out of 5 weirdsciencemarvelcomics.com/2019/10/16/savage-sword-of-conan-10-review/Roy Thomas delivers a classic tale that was easy to follow, polished, and timeless. Conan fans new and old will be able to sense the history within each page while Alan Davis’s art equally sets the tone for this prototypical tale. Thomas creates a well-paced narrative that wasn’t too wordy, captured this critic’s attention, and amplified the proper attributes of the Hyborian born Cimmerian beautifully.Readers can tell that Thomas has worked with the great Barbarian before. Thomas makes sure to enhance the Cimmerian’s brutish nature while also heightening and extenuating Conan’s cunning nature and wit. Thomas continued to portray Conan as the extremely loyal companion while showcasing his strength, intellect, and crafty ingenuity that most writers neglect to focus on throughout their Conan narratives. More of the current writers should take some notes as to how Conan should be written by one of the greats.The only disappointment this reviewer had was actually with the illustrations. This critic understands the tone and artistic choice of making this issue feel more nostalgic. However, my favorite style of art is more realistic, more dynamic, and more 3-dimensional in nature. The art seemed flat, lacking texture, and used the same flesh coloring as the background in numerous spots that seemed out of place and unnecessary. That said, this reviewer can’t completely knock the book for this artistic choice when the intent of the issue was to create a feeling that resembled their run from years ago.Ultimately, this fan left delighted for the next issue and curious as to how Conan and his companions will escape the clutches of the Hillmen. Conan perpetually discovers a way to survive and make his adversaries pay. However, who knows how the Barbarian will escape this one and live to save the day. But, this critic does know that he left the issue thrilled for the next installment and that’s all any fan could ask for out of any comic. Conan enthusiasts will find this issue fun, enticing, and packed full with just enough action to satisfy the savage beast within.FINAL THOUGHTSIf you’re a long-time Conan the Barbarian fan, this is a must-buy for you. If you’re new to the Cimmerian, this is a great comic to show you the character’s roots, his true attributes, his humble nature, and the allure that surrounds the Hyborian born behemoth. This reviewer strongly recommends picking this issue up if you’ve ever been a Conan fan and completely submerging yourself within a story created by one of the best to have ever written the character. Review by DISPATCHDCU 8.6/10 |
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Post by Deleted on Oct 16, 2019 18:22:59 GMT -5
All I can say is thank Crom Roy Thomas is back. We finally get to see the real Conan in this issue. The inks and colours do not help the art of Alan Davis in this issue. Davis does a good enough job but I feel the characters seem a little stiff and awkward looking in some panels. Looking at the B&W pencil art of Conan reminds me strongly of Neal Adams work on Shadows In Zamboula - the extreme perspective face-off is pure Adams, although less successful. The colours especially are poor and detract rather than add to the art. I was expecting more from Davis at this stage in his career, but this is pretty uninspiring stuff, I'm afraid. ......  Yeah, I also noticed the influence of Adams, you're right not very well executed unfortunately. Maybe Marvel should get Bryan Hitch to pencil next time, then we'll get to see what a Conan comic pencilled by Alan Davis really looks like  |
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Post by johnnypt on Oct 16, 2019 21:11:19 GMT -5
All I know is I felt like I was reading a Conan comic for the first time this year. And I appreciated the fact it LOOKED like a comic and not some scratch work, however well some of those had been done. It felt like it was part of the larger Conan saga, instead of having to ignore large pieces of it to get it to work. I wish there were more, but I’ll be happy with these two issues.
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Post by Taurus on Oct 17, 2019 7:13:14 GMT -5
All I know is I felt like I was reading a Conan comic for the first time this year. And I appreciated the fact it LOOKED like a comic and not some scratch work, however well some of those had been done. It felt like it was part of the larger Conan saga, instead of having to ignore large pieces of it to get it to work. I wish there were more, but I’ll be happy with these two issues. That means in my vision that Marvel new Conan is decent for the very first time. Wake me up when it is good indeed. |
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Post by Von K on Oct 17, 2019 8:26:45 GMT -5
Marvel ought to hire Roy Thomas in an editorial or consultant role for their REH comics line. Just sayin'.
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Post by Aryeh on Oct 17, 2019 8:32:46 GMT -5
All I know is I felt like I was reading a Conan comic for the first time this year.
Same here. I'd say Roy Thomas knows how to weave a real sword & sorcery story. He knows the rules of its development i.e. what is needed for it to capture attention /to build its atmosphere /to create something where there is a place for a character like Conan. Plus, he knows what a character like Conan is and isn't.
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Post by kemp on Oct 17, 2019 9:05:22 GMT -5
A good enough read. Can’t wait to see what happens in the next part.
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Post by Monster on Oct 18, 2019 2:14:38 GMT -5
The inks and colours do not help the art of Alan Davis in this issue. Davis does a good enough job but I feel the characters seem a little stiff and awkward looking in some panels. I agree! I was initially excited by the sketches. Great art ruined by a heavy hand with the inks! |
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Post by johnnypt on Oct 18, 2019 10:41:49 GMT -5
The inks and colours do not help the art of Alan Davis in this issue. Davis does a good enough job but I feel the characters seem a little stiff and awkward looking in some panels. I agree! I was initially excited by the sketches. Great art ruined by a heavy hand with the inks! Everyone seems to be in love with heavy browns these days and that doesn't flatter any art (this is what I'm worried about with the newly colored TPB for Hour of the Dragon in January). To me this issue makes the best of this unfortunate trend. |
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Post by Deleted on Oct 18, 2019 13:19:35 GMT -5
Marvel ought to hire Roy Thomas in an editorial or consultant role for their REH comics line. Just sayin'. Sounds like a great idea. |
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Post by Deleted on Oct 18, 2019 13:22:37 GMT -5
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Post by wolfshead on Oct 18, 2019 13:23:37 GMT -5
The coloring is nearly as bad as Dark Horse's recolored Chronicles of Conan. I don't understand, with a full color palette, being so limited and unimaginative. On the other hand, the colors in Savage Avengers #6 were so vibrant and over the top, it was like the psychedelic '60s. You can't win.
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