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Post by Deleted on Dec 2, 2016 10:36:22 GMT -5
I've been diving into 'A Means to Freedom' whenever I can and something that I have found fascinating is REH's passion for animals in his letters to Lovecraft. Robert E. Howard with Patch (Patches) I will start off with his father's letter to E. Hoffmann Price, dated June 21, 1944. 'Robert loved animals of all kind. You could not by any amount of persuasion have induced him to shoot a bird or a jackrabbit or any kind of animal. He had a dog, a mixed-breed, half-collie, half-Walker foxhound. His association was so close with this dog until the dog seemed to develop a perfectly human understanding of not only Robert, but Robert's mother and myself. Also, when the dog was 12 years old, he sickened to die. Robert knew his dog was going to die. He packed his grip, opened the gate, walked out, and said 'Mama, I am going.' He went to Brownwood and stayed until his dog died, which was two or three days. But each morning he phoned and asked his mother if Patch (that was the dog's name) was still alive; finally on the third or fourth morning, his mother told him she though the Patch dog would not last longer than 12 o'clock. He always spoke thus: 'Mama, how are you?' When his mother would reply, he would say: 'How is Patch?' After the fourth day when his mother told him the dog was going, he never inquired any more; he knew the dog would soon die. Therefore he never spoke of him again. I had the dog buried in a deep grave in the back lot, then had the lot plowed deeply and then had them take a big harrow and harrow it deeply all over to destroy every trace of the grave, so sensitive was he to the loss of the dog. And only once did he ever allude to the death of his dog again. He said to his mother one day: 'Mother, did you bury Patch under the mesquite tree in the corner of the lot on the east side?' She said yes, and the matter was never mentioned by any of us again. He was so sensitive to things of a depressing nature that his mother and I never mentioned anything of a depressing nature in his presence. It had been thus with him since childhood. His dog died when he (the dog) was 12 and Robert 24. He raised the dog from the time it was a wee thing, before his eyes were barely open, through the life of the dog. The dog was an inseparable companion to Robert. It was often fed from the table as Robert ate, sitting down by Robert's chair. When Robert helped himself, before eating a bite, he helped Patch to food. ' (The Howard Collector, Ace Books, 1979, pp. 215-216) I got the above excerpt from A Man and his Dog: Or, not so trivial facts about Patch and his death, by Patrice Louinet from Dwelling in Dark Valley, volume 1, 2001. www.robert-e-howard.org/DwellingDarkValley.htmlCheck out www.robert-e-howard.org/ for some more great info. I hope to be adding posts from 'A Means to Freedom' soon.
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Post by deuce on Dec 2, 2016 13:56:51 GMT -5
'Robert loved animals of all kind.'
Well, that doesn't seem to have applied to serpents. At all. Other than that, REH was surprisingly tender-hearted toward critters of all kinds. However, that doesn't mean he was blindly sentimental. His essay on cats doesn't cling to very many illusions.
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Post by Deleted on Dec 2, 2016 15:16:52 GMT -5
'Robert loved animals of all kind.' Well, that doesn't seem to have applied to serpents. At all. Other than that, REH was surprisingly tender-hearted toward critters of all kinds. However, that doesn't mean he was blindly sentimental. His essay on cats doesn't cling to very many illusions. His dislike of serpents should have been obvious to me really. Maybe, I rushed the naming of the thread a little bit? To HPL, 3 November 1933 I'll admit there's something unnerving about the slimy brutes. I'll never forget the time that I came clambering up out of a creek bed, reached up to pull myself up on the bank by a tree limb, and took hold of the tail of a water-mocassin which was sunning itself on a branch. They say you can't do but one thing at a time, but I did, or my various members acted simultaneously and independent of each other. My left hand released the snake, my right hand drew my knife, and my legs gave way and precipitated me down the bank. A Means to Freedom, p.687 Was the essay on cats by REH the one mentioned in the letter to HPL dated 3 December 1933? Here's just a couple of short passages from the letter if it helps. 'Glad you found the cat article of some amusement. As I said, it was written in an idle hour, and with no intention of precipitating any philosophical argument. I merely recorded a few observations regarding felines - an animal for whose physical side I have a deep admiration, whatever my opinions of his moral aspects may be.''Not one cat in a hundred has the guts for a finish fight. I've seen a big rat run a fighting tom clean out of sight, and I've seen at least five hundred cat-fights in which not one drop of blood was spilt. There are exceptions; the big Persian I mentioned was one. But I never saw any cat display the high brand of sheer courage that I've seen dogs display repeatedly. And I've owned over a hundred cats in my time.' A Means to Freedom, p.689 In the same letter REH goes on to explain he found the Persian cat the day before the sale of beer became legal in Texas (midnight, 14 September 1933) so he named the cat Bebe, which stands for B.B. which in turn means 'Before Beer'.
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Post by Deleted on Dec 2, 2016 17:02:21 GMT -5
Update: I have changed the name of the thread. I feel the old title (REH and his love of Animals) was a little restrictive.
I think this new title (views on the Animal Kingdom) is probably better, and will hopefully lead to interesting discussions on this topic in the future.
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Post by deuce on Dec 3, 2016 10:39:09 GMT -5
REH was surprisingly tender-hearted toward critters of all kinds. However, that doesn't mean he was blindly sentimental. His essay on cats doesn't cling to very many illusions. Was the essay on cats by REH the one mentioned in the letter to HPL dated 3 December 1933? This is normally entitled "The Beast From the Abyss":
Having spent most of my life in oil boom towns, I am not unfamiliar with the sight of torn and mangled humanity. Oftener than I like to remember I have seen men suffering, bleeding and dying from machinery accidents, knife stabs, gunshot wounds, and other mishaps. Yet I believe the most sickening spectacle of all was that of a crippled cat limping along a sidewalk, and dragging behind it a broken leg which hung to the stump only by the skin. On that splintered stump the animal was essaying to walk, occasionally emitting a low moaning cry that only slightly resembled the ordinary vocal expressions of a feline.
There is something particularly harrowing about the sight of an animal in pain; the desperate despair, undiluted by hope or reason, that makes it, in a way, a more awful and tragic sight than that of an injured human. In the agony cry of a cat all the blind abysmal anguish of the black cosmic pits seems concentrated. It is a scream from the jungle, the death howl of a Past unspeakably distant, forgotten and denied by humanity, yet which still lies awake at the back of the subconciousness, to be awakened into shuddering memory by a pain-edge yell from a bestial mouth.
Not only in agony and death is the cat a reminder of the brutish Past. In his anger cries and in his love cries, the gliding course through the grass, the hunger that burns shamelessly from his slitted eyes, in all his movements and actions is advertised his kinship with the wild, his tamelessness, and his contempt for man.
Inferior to the dog the cat is, nevertheless, more like human beings than is the former. For he is vain yet servile, greedy yet fastidious, lazy, lustful and selfish. That last characteristic is, indeed, the dominant feline trait. He is monumentally selfish. In his self love he is brazen, candid and unashamed.
Giving nothing in return, he demands everything—he demands it in a raspy, hungry, whining squall that seems to tremble with self-pity, and accuse the world at large of perfidy and broken contract. His eyes are suspicious and avaricious, the eyes of a miser. His manner is at once arrogant and debased. He arches his back and rubs himself against humanity’s leg, dirging a doleful plea, while his eyes glare threats and his claws slide convulsively in and out of their padded sheaths.
He is inordinate in his demands, and he gives no thanks for bounty. His only religion is an unfaltering belief in the divine rights of cats. The dog exists only for man, man exists only for cats. The introverted feline conceives himself to be ever the center of the universe. In his narrow skull there is no room for the finer feelings.
Pull a drowning kitten out of the gutter and provide him with a soft cushion to sleep upon, and cream as often as he desires. Shelter, pamper and coddle him all his useless and self-centered life. What will he give you in return? He will allow you to stroke his fur; he will bestow upon you a condescending purr, after the manner of one conferring a great favor. There the evidences of gratitude end. Your house may burn over your head, thugs may break in, rape your wife, knock Uncle Theobald in the head, and string you up by your thumbs to make you reveal the whereabouts of your hoarded wealth. The average dog would die in the defense even of Uncle Theobald. But your fat and pampered feline will look on without interest; he will make no exertions in your behalf, and after the fray, will, likely as not, make a hearty meal off your unprotected corpse.
I have heard of but one cat who ever paid for his salt, and that was through no virtue of his own, but rather the ingenuity of his owner. A good many years ago there was a wanderer who traversed the state of Arkansas in a buggy, accompanied by a large fat cat of nondescript ancestry. This wayfarer toiled not, neither did he spin, and he was a lank, harried-looking individual who wore the aspect of starvation, even when he was full of food.
His method of acquiring meals without work was simple and artistic. Leaving his horse and buggy concealed behind a convenient thicket, he would approach a farmhouse tottering slightly, as if from long fast, carrying the cat under his arm. A knock on the door having summoned the housewife with her stare of suspicion, he would not resort to any such crude and obvious tactics as asking for a hand-out. No; hat in hand, and humbly, he would beg for a pinch of salt.
“Land’s sake,” would be the almost invariable reply. “What do you want salt for?”
“M’am,” the genius would reply tremulously, “I’m so terrible hungry I’m a-goin’ to eat this here cat.”
Practically in every case the good woman was so shocked that she dragged the feebly protesting wayfarer into the house and filled his belly—and the cat’s—with the best of her larder.
I am not a victim of the peculiar cat-phobia which afflicts some people, neither I am one of those whose fondness for the animals is as inexplicable and tyrannical in its way as the above mentioned repulsion. I can take cats or leave them alone.
In my childhood I was ordinarily surrounded by cats. Occasionally they were given to me; more often they simply drifted in and settled. Sometimes they drifted out almost as mysteriously. I am speaking of ordinary cats, country cats, alley cats, cats without pedigree or pride of ancestry. Mongrel animals, like mongrel people, are by far the most interesting as a study.
In my part of the country, high-priced, pure-blooded felines were unknown until a comparatively recent date. Such terms as Persians, Angoras, Maltese, Manx, and the like, meant little or nothing. A cat was a cat, and classified only according to its ability to catch mice. Of late I notice a distinct modification in the blood-stream of the common American alley-cat; thoroughbred strains are mingling with the common soil, producing cats of remarkable hue and shape. Whether it will improve the democratic mongrel population or not, it is a question only time can answer.
For myself, give me an alley cat every time. I remember with what intense feelings of disgust I viewed the first thoroughbred cat I ever saw—a cumbersome ball of grey fur, with the wide blank stare of utter stupidity. A dog came barking wildly across the yard, the pampered aristocrat goggled dumbly, then lumbered across the porch and attempted to climb a post. An alley cat would of shot up the shaft like a streak of grey lightning, to turn at a vantage point and and spit down evil vituperation on its enemy’s head. This blundering inbred monster tumbled ignominiously from the column and sprawled—on its back—in front of the dog, who was so astounded by the phenomenon that it evidently concluded that its prey was not a cat after all, and hastily took itself off. It was not the first time that a battle was won by awkward stupidity.
I once lived on a farm infested by rats beyond description. They broke up setting hens, devoured eggs and small chickens, and gnawed holes in the floor of the house. The building was old, the floors rotten. The rats played havoc with them. I nailed strips of tin over the holes they gnawed, and in the night I could hear their teeth grating on tin, and their squeals of rage. Traps proved ineffectual. Rats are wise, not so easily snared as mice. The natural alternative was cats—eleven of them, to be exact. Thereafter the old farm was a battleground. The big grey wharf rats, as we called them, are no mean foes for a cat. More than once I have seen them defeat a full-grown feline in pitched battle. The ferocity of the cornered rat is proverbial, and unlike many such proverbs, borne out by actuality. On several occasions, my cousin and I hastened to the aid of our feline allies with bricks and baseball bats.
The most valiant of all the crew was a grey cat of medium size called, through some obscure process, Fessler. Despite the fact that he was at once ignominiously routed by a giant rat in a Homeric battle that should have formed the base for a whole cycle of rodent hero-sagas, he was a cat among cats. In fact, fantastic as it may seem, I sometimes seemed to detect a fleeting shadow of an emotion that was almost affection.
He had poise and dignity; most cats have these qualities. He had courage—for which, despite legends to the contrary, the feline race in general is not noted. He was a mouser of note. He was intelligent—the most intelligent cat I have ever known. In the end, when all the cats but one died of one of those unexplainable plagues that strikes communities of felines, he dragged himself back to the house to die. Stricken, he had retired to the barn, and there he fought out his losing battle alone; but with death on him, he tottered from his retreat, staggered painfully through the night, and sank down beneath my window, where his body was found the next morning. It was as if, in his last extremity, he sought the human aid that mere instinct could not have prompted him to seek.
Most of the other cats died in solitary refuges of their own. One, a black kitten, recovered, but was so thin and weak it could not stand. My cousin shot a rabbit, cut it up, and fed the cat the raw meat. Unable to stand, it crouched above the warm flesh, ate enough to have burst a well cat, then, turning on its side, smiled as plainly as any human ever smiles, and sank into death like one falling asleep. It has been my misfortune to see many animals die, but I never saw a more peaceful, contented death than that. My cousin and I interred it beside its brothers and sisters who perished in the plague, firing over it a military salute. May my own death be as easy as that cat’s!
I said one cat lived. For all I know, she may be living yet, populating the mesquite-grown hills with her progeny. For she was a veritable phoenix of a cat, defying death, and rising from the ruins of catdom unharmed, and generally with a fresh litter of squalling young.
She was large of body, variegated of color—a somewhat confused mixture of white, yellow and black. Her face was dusky, so she was named Blackface. She had a sister, a smaller cat, who seemed borne down by the woes of the world. Her face was the comically tragic mask of a weary clown. She died in the Big Plague.
But Blackface did not die. Just before the cats began to fall, she vanished, and I supposed that she had been stricken and dragged herself away to die in the bushes. But I was mistaken. After the last of her companions had been gathered to their ancestors, after the polluted gathering places had been cleaned by time and the elements, Blackface came home. With her came a brood of long-legged kittens. She remained at the farm until the youngsters were ready to wean, then once more she disappeared. When she returned, a few weeks later, she returned alone.
I had begun to accumulate cats again, and as long as I lived on the farm, I enjoyed periods of cat-inflation, separated by times when the mysterious plague returned and wiped them out. But the Plague never got Blackface. Each time, just before the slaughter began, she vanished mysteriously, nor did she return until the last cat had died, and the danger of contamination had passed. That happened too many times to be dismissed as coincidence. Somehow, the she-cat knew, and avoided the doom that struck down her companions.
She was taciturn, cryptic, laden with mysterious wisdom older than Egypt. She did not raise her kittens about her. I think that she had learned that there was danger in populated centers. Always, when they were able to defend for themselves, she led them into the woods and lost them. And however impossible it may be for a human being to “lose” a cat, none of them ever came back from the farm from which Blackface led them. But the countryside began to be infested with “wild” cats. Her sons and daughters dwelt in the mesquite flats, in the chaparral, and among the cactus beds. Some few of them took up farmhouses and became mousers of fame; most of them remained untamed, hunters and slayers, devourers of birds and rodents and young rabbits, and, I suspect, of chickens.
Blackface was cloaked in mystery. She came in the night, and in the night she went. She bore her kittens in the deep woods, brought them back to civilization for a space that they might be sheltered while in their helpless infancy—and that her own work might be less arduous—and back to the woods she took them when the time was ripe.
As the years passed, her returns to civilization became less and less frequent. At last she did not even bring her brood, but supported them in the wilderness. The primitive called her, and the call was stronger than the urge to slothful ease. She was silent, primordial, drawn to the wild. She came no more to the dwellings of man, but I had glimpses of her at dawn or twilight, flashing like a streak of black-barred gold through the tall grass, or gliding phantom-like through the mesquites. The fire in her elemental eyes was undimmed, the muscles rippling under her fur unsoftened by age. That was nearly twenty years ago. It would not surprise me to learn that she still lives among the cactus-grown valleys and the mesquite-clad hills. Some things are too elemental to die.
Just now I am uncertain as to the number of cats I possess. I could not prove my ownership of a single cat, but several have come and taken up their abode in the feed shed and beside the back step, allowed me to feed them, and at times bestowed upon me the favor of a purr. So long as no one claims them, I suppose I can look on them as my property.
I am uncertain as to their numbers, because there has been an addition to the community, and I do not know how many. I hear them squalling among the hay bales, but I have not had an opportunity to count them. I know only that they are the offspring of a stocky, lazy gray cat, whose democratic mongrel blood is diluted with some sort of thoroughbred stock.
At one time there were five. One was a black and white cat whose visits were furtive and soon ceased. One was a grey and white female, undersized, as so many good mousers are, and like a good killer, possessed of a peculiarly thin whining voice. Because of her preference to the sheds and feed stalls, she bore the casual name of Barn-cat. Another was a magnificent image of primitive savagery—a giant yellow cat, plainly half-breed, mongrel mixed with some stock that might have been Persian. So he was referred to as “the Persian.”
I have found that the average yellow cat is deficient in courage. The Persian was an exception. He was the biggest, most powerful, mixed-breed I ever saw, and the fiercest. He was always ravenous, and his powerful jaws crushed chicken bones in a startling manner. He ate, indeed, more like a dog than a cat. He was not indolent or fastidious. He was a lusty soldier of fortune, without morals or scruples, but possessed of an enviable vitality.
He was enamored of Barn-cat, and no woman could have acted the coquette with greater perfection. She treated him like a dog. He wooed her in his most ingratiating manner, to be rewarded by spitting abuse and scratches. A lion in dealing with members of his own sex, he was a lamb with Barn-cat.
Let him approach her in the most respectable manner, and she was transformed into a spitting, clawing fury. Then when he retired discouraged, she invariably followed him, picking at him, teasing him, and giving him no peace of mind. Yet if he took hope and attempted any advances on the ground of her actions, she instantly assumed the part of an insulted virgin and greeted him with bared teeth and claws.
Her treatment of him was in strong contrast with her attitude toward Hoot, a big black and white spotted cat whose coloring made him look as if he were wearing the nose guard of a football helmet. Hoot was too lazy to woo Barn-cat, and she tolerated him, or rather ignored him entirely. He could push her off his chosen napping-spot, step on her ear on his way to the feed pan, or even appropriate choice morsels from her personal meal, and she showed no resentment, whereas if the Persian attempted any of these things, she was ready to rend him. On the other hand, her contempt for Hoot was apparent, and she never accorded him either the teasing or the resentment she accorded the Persian.
Their romance was not so very different from some human romances, and like all romances, came to its end. The Persian was a fighter. So much of his time was spent recovering from wounds, that he was always gaunt, and there were always several partly healed scars on his head and body. Finally he limped in with fresh wounds and a broken leg. He lay around for a short time, refusing assistance, and then disappeared. I think that, following his instincts, he dragged himself away somewhere to die.
Barn-cat’s career was short. Soon after her lover met his end, she appeared one morning with her tail almost chewed off close to her body. Doubtless she had internal wounds. She was the only one of the crew worth her salt as a mouser, and while she normally avoided big grey rats, I believe they were at last responsible for her doom. And any rate, she too vanished with her wounds and did not return.
The grey cat and her kittens remain, with Hoot, who still sleeps in the sun, too lazy even to keep himself clean. He is the only cat I ever saw which allowed its fur to remain dusty. After a sandstorm he is a disreputable sight for days. Perhaps he catches mice at night, but he shows no enthusiasm for anything but loafing during the day.
The life of a cat is not numbered by nine. Usually it is short, violent and tragic. He suffers, and makes others suffer if he can. He is primitive, bestially selfish. He is, in short, a creature of awful and terrible potentialities, a crystalization of primordial self-love, a materialization of the blackness and squalor of the abyss. He is a green-eyed, steel-thewed, fur-clad block of darkness hewed from the Pits which know not light, nor sympathy, nor dreams, nor hope, nor beauty, nor anything except hunger and the satiating of hunger. But he has dwelt with man since the beginning, and when the last man lies down and dies, a cat will watch his throes, and likelier than not, will gorge its abysmal hunger on his cooling flesh.* HP Lovecraft, the recipient of this letter, sometimes referred to himself as "Uncle Theobald" or "Grandpa Theobald".
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Post by Deleted on Dec 3, 2016 12:27:34 GMT -5
Was the essay on cats by REH the one mentioned in the letter to HPL dated 3 December 1933? This is normally entitled "The Beast From the Abyss":
Having spent most of my life in oil boom towns, I am not unfamiliar with the sight of torn and mangled humanity. Oftener than I like to remember I have seen men suffering, bleeding and dying from machinery accidents, knife stabs, gunshot wounds, and other mishaps. Yet I believe the most sickening spectacle of all was that of a crippled cat limping along a sidewalk, and dragging behind it a broken leg which hung to the stump only by the skin. On that splintered stump the animal was essaying to walk, occasionally emitting a low moaning cry that only slightly resembled the ordinary vocal expressions of a feline.
There is something particularly harrowing about the sight of an animal in pain; the desperate despair, undiluted by hope or reason, that makes it, in a way, a more awful and tragic sight than that of an injured human. In the agony cry of a cat all the blind abysmal anguish of the black cosmic pits seems concentrated. It is a scream from the jungle, the death howl of a Past unspeakably distant, forgotten and denied by humanity, yet which still lies awake at the back of the subconciousness, to be awakened into shuddering memory by a pain-edge yell from a bestial mouth.
Not only in agony and death is the cat a reminder of the brutish Past. In his anger cries and in his love cries, the gliding course through the grass, the hunger that burns shamelessly from his slitted eyes, in all his movements and actions is advertised his kinship with the wild, his tamelessness, and his contempt for man.
Inferior to the dog the cat is, nevertheless, more like human beings than is the former. For he is vain yet servile, greedy yet fastidious, lazy, lustful and selfish. That last characteristic is, indeed, the dominant feline trait. He is monumentally selfish. In his self love he is brazen, candid and unashamed.
Giving nothing in return, he demands everything—he demands it in a raspy, hungry, whining squall that seems to tremble with self-pity, and accuse the world at large of perfidy and broken contract. His eyes are suspicious and avaricious, the eyes of a miser. His manner is at once arrogant and debased. He arches his back and rubs himself against humanity’s leg, dirging a doleful plea, while his eyes glare threats and his claws slide convulsively in and out of their padded sheaths.
He is inordinate in his demands, and he gives no thanks for bounty. His only religion is an unfaltering belief in the divine rights of cats. The dog exists only for man, man exists only for cats. The introverted feline conceives himself to be ever the center of the universe. In his narrow skull there is no room for the finer feelings.
Pull a drowning kitten out of the gutter and provide him with a soft cushion to sleep upon, and cream as often as he desires. Shelter, pamper and coddle him all his useless and self-centered life. What will he give you in return? He will allow you to stroke his fur; he will bestow upon you a condescending purr, after the manner of one conferring a great favor. There the evidences of gratitude end. Your house may burn over your head, thugs may break in, rape your wife, knock Uncle Theobald in the head, and string you up by your thumbs to make you reveal the whereabouts of your hoarded wealth. The average dog would die in the defense even of Uncle Theobald. But your fat and pampered feline will look on without interest; he will make no exertions in your behalf, and after the fray, will, likely as not, make a hearty meal off your unprotected corpse.
I have heard of but one cat who ever paid for his salt, and that was through no virtue of his own, but rather the ingenuity of his owner. A good many years ago there was a wanderer who traversed the state of Arkansas in a buggy, accompanied by a large fat cat of nondescript ancestry. This wayfarer toiled not, neither did he spin, and he was a lank, harried-looking individual who wore the aspect of starvation, even when he was full of food.
His method of acquiring meals without work was simple and artistic. Leaving his horse and buggy concealed behind a convenient thicket, he would approach a farmhouse tottering slightly, as if from long fast, carrying the cat under his arm. A knock on the door having summoned the housewife with her stare of suspicion, he would not resort to any such crude and obvious tactics as asking for a hand-out. No; hat in hand, and humbly, he would beg for a pinch of salt.
“Land’s sake,” would be the almost invariable reply. “What do you want salt for?”
“M’am,” the genius would reply tremulously, “I’m so terrible hungry I’m a-goin’ to eat this here cat.”
Practically in every case the good woman was so shocked that she dragged the feebly protesting wayfarer into the house and filled his belly—and the cat’s—with the best of her larder.
I am not a victim of the peculiar cat-phobia which afflicts some people, neither I am one of those whose fondness for the animals is as inexplicable and tyrannical in its way as the above mentioned repulsion. I can take cats or leave them alone.
In my childhood I was ordinarily surrounded by cats. Occasionally they were given to me; more often they simply drifted in and settled. Sometimes they drifted out almost as mysteriously. I am speaking of ordinary cats, country cats, alley cats, cats without pedigree or pride of ancestry. Mongrel animals, like mongrel people, are by far the most interesting as a study.
In my part of the country, high-priced, pure-blooded felines were unknown until a comparatively recent date. Such terms as Persians, Angoras, Maltese, Manx, and the like, meant little or nothing. A cat was a cat, and classified only according to its ability to catch mice. Of late I notice a distinct modification in the blood-stream of the common American alley-cat; thoroughbred strains are mingling with the common soil, producing cats of remarkable hue and shape. Whether it will improve the democratic mongrel population or not, it is a question only time can answer.
For myself, give me an alley cat every time. I remember with what intense feelings of disgust I viewed the first thoroughbred cat I ever saw—a cumbersome ball of grey fur, with the wide blank stare of utter stupidity. A dog came barking wildly across the yard, the pampered aristocrat goggled dumbly, then lumbered across the porch and attempted to climb a post. An alley cat would of shot up the shaft like a streak of grey lightning, to turn at a vantage point and and spit down evil vituperation on its enemy’s head. This blundering inbred monster tumbled ignominiously from the column and sprawled—on its back—in front of the dog, who was so astounded by the phenomenon that it evidently concluded that its prey was not a cat after all, and hastily took itself off. It was not the first time that a battle was won by awkward stupidity.
I once lived on a farm infested by rats beyond description. They broke up setting hens, devoured eggs and small chickens, and gnawed holes in the floor of the house. The building was old, the floors rotten. The rats played havoc with them. I nailed strips of tin over the holes they gnawed, and in the night I could hear their teeth grating on tin, and their squeals of rage. Traps proved ineffectual. Rats are wise, not so easily snared as mice. The natural alternative was cats—eleven of them, to be exact. Thereafter the old farm was a battleground. The big grey wharf rats, as we called them, are no mean foes for a cat. More than once I have seen them defeat a full-grown feline in pitched battle. The ferocity of the cornered rat is proverbial, and unlike many such proverbs, borne out by actuality. On several occasions, my cousin and I hastened to the aid of our feline allies with bricks and baseball bats.
The most valiant of all the crew was a grey cat of medium size called, through some obscure process, Fessler. Despite the fact that he was at once ignominiously routed by a giant rat in a Homeric battle that should have formed the base for a whole cycle of rodent hero-sagas, he was a cat among cats. In fact, fantastic as it may seem, I sometimes seemed to detect a fleeting shadow of an emotion that was almost affection.
He had poise and dignity; most cats have these qualities. He had courage—for which, despite legends to the contrary, the feline race in general is not noted. He was a mouser of note. He was intelligent—the most intelligent cat I have ever known. In the end, when all the cats but one died of one of those unexplainable plagues that strikes communities of felines, he dragged himself back to the house to die. Stricken, he had retired to the barn, and there he fought out his losing battle alone; but with death on him, he tottered from his retreat, staggered painfully through the night, and sank down beneath my window, where his body was found the next morning. It was as if, in his last extremity, he sought the human aid that mere instinct could not have prompted him to seek.
Most of the other cats died in solitary refuges of their own. One, a black kitten, recovered, but was so thin and weak it could not stand. My cousin shot a rabbit, cut it up, and fed the cat the raw meat. Unable to stand, it crouched above the warm flesh, ate enough to have burst a well cat, then, turning on its side, smiled as plainly as any human ever smiles, and sank into death like one falling asleep. It has been my misfortune to see many animals die, but I never saw a more peaceful, contented death than that. My cousin and I interred it beside its brothers and sisters who perished in the plague, firing over it a military salute. May my own death be as easy as that cat’s!
I said one cat lived. For all I know, she may be living yet, populating the mesquite-grown hills with her progeny. For she was a veritable phoenix of a cat, defying death, and rising from the ruins of catdom unharmed, and generally with a fresh litter of squalling young.
She was large of body, variegated of color—a somewhat confused mixture of white, yellow and black. Her face was dusky, so she was named Blackface. She had a sister, a smaller cat, who seemed borne down by the woes of the world. Her face was the comically tragic mask of a weary clown. She died in the Big Plague.
But Blackface did not die. Just before the cats began to fall, she vanished, and I supposed that she had been stricken and dragged herself away to die in the bushes. But I was mistaken. After the last of her companions had been gathered to their ancestors, after the polluted gathering places had been cleaned by time and the elements, Blackface came home. With her came a brood of long-legged kittens. She remained at the farm until the youngsters were ready to wean, then once more she disappeared. When she returned, a few weeks later, she returned alone.
I had begun to accumulate cats again, and as long as I lived on the farm, I enjoyed periods of cat-inflation, separated by times when the mysterious plague returned and wiped them out. But the Plague never got Blackface. Each time, just before the slaughter began, she vanished mysteriously, nor did she return until the last cat had died, and the danger of contamination had passed. That happened too many times to be dismissed as coincidence. Somehow, the she-cat knew, and avoided the doom that struck down her companions.
She was taciturn, cryptic, laden with mysterious wisdom older than Egypt. She did not raise her kittens about her. I think that she had learned that there was danger in populated centers. Always, when they were able to defend for themselves, she led them into the woods and lost them. And however impossible it may be for a human being to “lose” a cat, none of them ever came back from the farm from which Blackface led them. But the countryside began to be infested with “wild” cats. Her sons and daughters dwelt in the mesquite flats, in the chaparral, and among the cactus beds. Some few of them took up farmhouses and became mousers of fame; most of them remained untamed, hunters and slayers, devourers of birds and rodents and young rabbits, and, I suspect, of chickens.
Blackface was cloaked in mystery. She came in the night, and in the night she went. She bore her kittens in the deep woods, brought them back to civilization for a space that they might be sheltered while in their helpless infancy—and that her own work might be less arduous—and back to the woods she took them when the time was ripe.
As the years passed, her returns to civilization became less and less frequent. At last she did not even bring her brood, but supported them in the wilderness. The primitive called her, and the call was stronger than the urge to slothful ease. She was silent, primordial, drawn to the wild. She came no more to the dwellings of man, but I had glimpses of her at dawn or twilight, flashing like a streak of black-barred gold through the tall grass, or gliding phantom-like through the mesquites. The fire in her elemental eyes was undimmed, the muscles rippling under her fur unsoftened by age. That was nearly twenty years ago. It would not surprise me to learn that she still lives among the cactus-grown valleys and the mesquite-clad hills. Some things are too elemental to die.
Just now I am uncertain as to the number of cats I possess. I could not prove my ownership of a single cat, but several have come and taken up their abode in the feed shed and beside the back step, allowed me to feed them, and at times bestowed upon me the favor of a purr. So long as no one claims them, I suppose I can look on them as my property.
I am uncertain as to their numbers, because there has been an addition to the community, and I do not know how many. I hear them squalling among the hay bales, but I have not had an opportunity to count them. I know only that they are the offspring of a stocky, lazy gray cat, whose democratic mongrel blood is diluted with some sort of thoroughbred stock.
At one time there were five. One was a black and white cat whose visits were furtive and soon ceased. One was a grey and white female, undersized, as so many good mousers are, and like a good killer, possessed of a peculiarly thin whining voice. Because of her preference to the sheds and feed stalls, she bore the casual name of Barn-cat. Another was a magnificent image of primitive savagery—a giant yellow cat, plainly half-breed, mongrel mixed with some stock that might have been Persian. So he was referred to as “the Persian.”
I have found that the average yellow cat is deficient in courage. The Persian was an exception. He was the biggest, most powerful, mixed-breed I ever saw, and the fiercest. He was always ravenous, and his powerful jaws crushed chicken bones in a startling manner. He ate, indeed, more like a dog than a cat. He was not indolent or fastidious. He was a lusty soldier of fortune, without morals or scruples, but possessed of an enviable vitality.
He was enamored of Barn-cat, and no woman could have acted the coquette with greater perfection. She treated him like a dog. He wooed her in his most ingratiating manner, to be rewarded by spitting abuse and scratches. A lion in dealing with members of his own sex, he was a lamb with Barn-cat.
Let him approach her in the most respectable manner, and she was transformed into a spitting, clawing fury. Then when he retired discouraged, she invariably followed him, picking at him, teasing him, and giving him no peace of mind. Yet if he took hope and attempted any advances on the ground of her actions, she instantly assumed the part of an insulted virgin and greeted him with bared teeth and claws.
Her treatment of him was in strong contrast with her attitude toward Hoot, a big black and white spotted cat whose coloring made him look as if he were wearing the nose guard of a football helmet. Hoot was too lazy to woo Barn-cat, and she tolerated him, or rather ignored him entirely. He could push her off his chosen napping-spot, step on her ear on his way to the feed pan, or even appropriate choice morsels from her personal meal, and she showed no resentment, whereas if the Persian attempted any of these things, she was ready to rend him. On the other hand, her contempt for Hoot was apparent, and she never accorded him either the teasing or the resentment she accorded the Persian.
Their romance was not so very different from some human romances, and like all romances, came to its end. The Persian was a fighter. So much of his time was spent recovering from wounds, that he was always gaunt, and there were always several partly healed scars on his head and body. Finally he limped in with fresh wounds and a broken leg. He lay around for a short time, refusing assistance, and then disappeared. I think that, following his instincts, he dragged himself away somewhere to die.
Barn-cat’s career was short. Soon after her lover met his end, she appeared one morning with her tail almost chewed off close to her body. Doubtless she had internal wounds. She was the only one of the crew worth her salt as a mouser, and while she normally avoided big grey rats, I believe they were at last responsible for her doom. And any rate, she too vanished with her wounds and did not return.
The grey cat and her kittens remain, with Hoot, who still sleeps in the sun, too lazy even to keep himself clean. He is the only cat I ever saw which allowed its fur to remain dusty. After a sandstorm he is a disreputable sight for days. Perhaps he catches mice at night, but he shows no enthusiasm for anything but loafing during the day.
The life of a cat is not numbered by nine. Usually it is short, violent and tragic. He suffers, and makes others suffer if he can. He is primitive, bestially selfish. He is, in short, a creature of awful and terrible potentialities, a crystalization of primordial self-love, a materialization of the blackness and squalor of the abyss. He is a green-eyed, steel-thewed, fur-clad block of darkness hewed from the Pits which know not light, nor sympathy, nor dreams, nor hope, nor beauty, nor anything except hunger and the satiating of hunger. But he has dwelt with man since the beginning, and when the last man lies down and dies, a cat will watch his throes, and likelier than not, will gorge its abysmal hunger on his cooling flesh.* HP Lovecraft, the recipient of this letter, sometimes referred to himself as "Uncle Theobald" or "Grandpa Theobald". Wow! Thanks for that Deuce. I just checked on Howardworks and noticed that REH's essay "The Beast From the Abyss" can be found in the 2nd volume of 'A Means to Freedom'. Thanks again Deuce.
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Post by Deleted on Dec 5, 2016 12:46:52 GMT -5
'With a Set of Rattlesnake Rattles' was sent with an actual set of rattlesnake rattles to HPL sometime before 3 November 1933.
With a Set of Rattlesnake Rattles
Here is the emblem of a lethal form of life for which I have no love, but a definite admiration. The wearer of this emblem is inflexibly individualistic. He mingles not with the herd, nor bows before the thrones of the mighty. Between him and the lords of the earth lies an everlasting feud that shall not be quenched until the last man lies dying and the Conqueror sways in shimmering coils above him.
Lapped in sombre mystery he goes his subtle way, touched by neither pity nor mercy. Realizations of ultimate certitudes are his, when the worm rises and the vulture sinks and the flesh shreds back to the earth that bore it. Other beings may make for Life, but he is consecrated to Death. Promise of ultimate dissolution shimmers in his visible being, and the cold soulless certainty of destruction is in his sibilances. The buzzards mark his path by the pregnant waving of the tall grasses, and the blind worms that gnaw in the dark are glad because of him. The foot of a king can not tread on him with impunity, nor the ignorant hand of innocence bruise him unscathed. The emperor who sits enthroned in gold and purple, with his diadem in the thunder-clouds and his sandals on the groaning backs of the nations, let him dare to walk where the rank grass quivers without a wind, and the lethal scent of decay is heavy in the air. Let him dare--and try if his pomp and glory and his lines of steel and gold will awe the coiling death or check the dart of the wedge-shaped head.
For when he sings in the dark it is the voice of Death crackling between fleshless jaw-bones. He reveres not, nor fears, nor sinks his crest for any scruple. He strikes, and the strongest man is carrion for flapping things and crawling things. He is a Lord of the Dark Places, and wise are they whose feet disturb not his meditations.
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Post by deuce on Jan 14, 2017 9:21:16 GMT -5
'With a Set of Rattlesnake Rattles' was sent with an actual set of rattlesnake rattles to HPL sometime before 3 November 1933.
With a Set of Rattlesnake RattlesHere is the emblem of a lethal form of life for which I have no love, but a definite admiration. The wearer of this emblem is inflexibly individualistic. He mingles not with the herd, nor bows before the thrones of the mighty. Between him and the lords of the earth lies an everlasting feud that shall not be quenched until the last man lies dying and the Conqueror sways in shimmering coils above him.Lapped in sombre mystery he goes his subtle way, touched by neither pity nor mercy. Realizations of ultimate certitudes are his, when the worm rises and the vulture sinks and the flesh shreds back to the earth that bore it. Other beings may make for Life, but he is consecrated to Death. Promise of ultimate dissolution shimmers in his visible being, and the cold soulless certainty of destruction is in his sibilances. The buzzards mark his path by the pregnant waving of the tall grasses, and the blind worms that gnaw in the dark are glad because of him. The foot of a king can not tread on him with impunity, nor the ignorant hand of innocence bruise him unscathed. The emperor who sits enthroned in gold and purple, with his diadem in the thunder-clouds and his sandals on the groaning backs of the nations, let him dare to walk where the rank grass quivers without a wind, and the lethal scent of decay is heavy in the air. Let him dare--and try if his pomp and glory and his lines of steel and gold will awe the coiling death or check the dart of the wedge-shaped head.For when he sings in the dark it is the voice of Death crackling between fleshless jaw-bones. He reveres not, nor fears, nor sinks his crest for any scruple. He strikes, and the strongest man is carrion for flapping things and crawling things. He is a Lord of the Dark Places, and wise are they whose feet disturb not his meditations. Those rattles disappeared after HPL's death, BTW.
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Post by Deleted on Jan 14, 2017 9:21:52 GMT -5
REH to HPL (ca. September 1933)
... because honesty and decency are not exclusively human characteristics. Most animals have them in larger abundance than man. It is just as impossible for an amoeba to crack the stock market and beggar thousands, plot and start a war in order to acquire valuable concessions, and having exhausted himself with debauchery, turn to preserve pleasures, as it is fit for him to paint a picture or write a book. Therefore according to the procedure in question, we are quite as fully justified in recognizing as the highest being possible as a thief, a whole-sale murderer and a degenerate, as we are in recognizing the artist. We are a modest and self-depreciating breed of life; all characteristics of honesty, courage, loyalty, and determination, which are possessed by most animals to a greater extent than by ourselves, we term "human" characteristics; while our most typical characteristics, such as thievishness, sensuality, cowardice, dishonesty, ingratitude, and general baseness, we dub: bestiality, beastliness, swinishness, animal-like. We call our enemies swine, dogs, skunks, etc. I never saw a dog, hog, or pole-cat commit any of the crimes and vices that humans beings perpetrate day after day. We even seek to set out our few fundamental virtues aside and gild them with the divinity which we all seem to have a sneaking idea is ours, under one name or another. So, courage directed by "reason" is superior somehow to courage inspired by "instinct." And the honesty of a man is superior to the honesty of a dog; because, apparently, we recognize the fact that, before the man does the honest act, he is forced to overcome his reason which, being characteristically human, nature impels him to be a thief. So, likewise, we maintain stages in human development as well, and the virtues of a "superior" man are held to be of higher type than those of the "inferior" man. We have not yet reached the point where the superior man is supposed to exude perfume instead of sweat, to bleed ichor instead of blood, and to void ambergris instead of dung, but I expect that revelation almost any time. Between the fundamentalist religionist who goes into foaming rages over the idea of evolution, because he cannot stand the thought of kinship with a monkey, and the artists who strains his guts to prove his distance from the protozoa, I see no basic difference; both seem outcroppings of the idea concerning the divinity of man.
A Means to Freedom, p. 635-6
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Post by kullagain on Jan 17, 2017 17:51:18 GMT -5
Is it true that he shot at frogs but missed them all like told at 3:10 here?
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Post by deuce on Jan 20, 2017 11:31:29 GMT -5
Is it true that he shot at frogs but missed them all like told at 3:10 here? It's not mentioned in REH's letters or by his other friends. It would be typical boyish behavior. I met Mr. Chambers several times. Just a really great guy. RIP.
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Post by kullagain on Feb 1, 2017 19:41:23 GMT -5
"I have heard of but one cat who ever paid for his salt, and that was through no virtue of his own, but rather the ingenuity of his owner. A good many years ago there was a wanderer who traversed the state of Arkansas in a buggy, accompanied by a large fat cat of nondescript ancestry. This wayfarer toiled not, neither did he spin, and he was a lank, harried-looking individual who wore the aspect of starvation, even when he was full of food." Sounds like the principal inspiration for Kathulos and Saremes.
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Post by deuce on Mar 16, 2017 9:42:29 GMT -5
"I have heard of but one cat who ever paid for his salt, and that was through no virtue of his own, but rather the ingenuity of his owner. A good many years ago there was a wanderer who traversed the state of Arkansas in a buggy, accompanied by a large fat cat of nondescript ancestry. This wayfarer toiled not, neither did he spin, and he was a lank, harried-looking individual who wore the aspect of starvation, even when he was full of food." Sounds like the principal inspiration for Kathulos and Saremes. That's an apt comparison. REH might very well have had that story in mind when he wrote Delcardes' Cat.
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Post by deuce on Mar 24, 2017 10:57:51 GMT -5
"Speaking of cats, there was an addition of three to the feline community while Price* was here, and since then a fourth kitten has wandered in from somewhere and been adopted by the old cat — I say old to distinguish her from her brood; she’s really a young cat, with the maternal instinct very highly developed. Any stray kitten which comes along is allowed to tug at her fecund teats with her own progeny. Modest and retiring almost to the point of timidity, she is valiant in defending both her natural offspring and her adopted children, and is in addition a mouser of no mean ability.
To the best of my knowledge this is her second brood; at least it is the second brood she has had since taking up her abode here, and she was scarcely mature when she came. Her first litter consisted of two she-kittens (indeed she seems unable to produce anything but females; the last three were sows too); one of these was given away, and the other concluded her brief career just a few days ago. I was awakened one morning by cries of feline agony just outside my window and found her lying on her side, unable to arise, panting and shaken with convulsions, and evidently in great pain. Possibly she had been poisoned. The only thing I could do for her was to put her out of her agony with an automatic pistol, as I’d want done to me if I were in a similar plight."
-- Robert E. Howard to H. P. Lovecraft, May 1934, Collected Letters: Volume 3 p.205
* Pulp writer, E. Hoffman Price, the only professional author to ever visit REH.
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Post by deuce on Sept 22, 2017 11:24:10 GMT -5
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